AMIA 2024

This presentation explores research on integrating AI in various organisational contexts, with a focus on audiovisual archiving. AI's potential is evident in search & exploration, preservation, artistic expression, and big-data analysis. Policies like the AI Act and Ethical Guidelines for Trustworthy AI shape strategies for responsible AI use. However, integrating AI in audiovisual domains poses challenges, such as choosing between off-the-shelf and bespoke solutions, aligning AI with legacy systems, considering public values in procurement, ensuring scalability and long-term viability, and fostering AI literacy. The audiovisual domain's specificity necessitates developing good practices. The AI4Media Network of Excellence engaged media practitioners to capture their experiences. This presentation shares these insights, offering practical guidance on sustainable, responsible AI integration into workflows and formulating policies for AI technology selection and use.

In this session, we will explore the cutting-edge applications of machine learning in film restoration, addressing not only color recovery and frame replacement but also the intricate processes of colorization, source/gauge matching, and nitrate decay recovery. Through a series of detailed case studies, I will demonstrate how AI tools are revolutionizing the field, making advanced restoration techniques more accessible. Drawing from a rich background in digital intermediates and a history of international collaboration, I will guide attendees through the ethical and practical considerations of integrating AI into film preservation workflows. The session is designed for those with an intermediate understanding of the field, but beginners will also find the discussions enlightening and informative. Participants will leave with a deeper appreciation of the capabilities of machine learning in film restoration. We will delve into how these tools can be leveraged to overcome traditional challenges, ensuring the longevity and integrity of our cinematic heritage.

Join us for an insightful discussion on the transformative impact of AI on audiovisual archiving. Traditional methods of transcription, indexing, and cataloguing have been laborious and costly, yet essential for enhancing the usability of collections. Over the past decade, AI has promised a revolution in these processes, though its effectiveness has been debated. Recent advancements, including OpenAI's Whisper and ChatGPT, have significantly enhanced AI transcription accuracy and mainstreamed AI technologies. Concurrent developments in AI Named Entity Recognition (NER) further facilitate the automatic extraction of key entities. Organizations like the USC Shoah Foundation, University of Kentucky's Louie B. Nunn Center for Oral History, and the TheirStory oral history platform have embraced these innovations, integrating them with tools. Join Sandra Aguilar (USC), Doug Boyd (University of Kentucky), and Zack Ellis (TheirStory) as they share their experiences, explore the benefits and challenges, and discuss the ethical considerations shaping the future of audiovisual archiving.

This presentation will introduce video content summarization (VCS) and its real-world applications. We'll explore how artificial intelligence (AI), particularly large language models (LLMs) and large vision-language models (LVLMs), can be used to understand and summarize video content, and then we will show how pipelined approaches with proper pre- and post-processing elements can improve the results. Additionally, we'll cover the effectiveness of AI in video summarization and the challenges that remain. Our goal is to provide the audience with a broad understanding of VCS and how AI is transforming this field. We'll also showcase a practical implementation of VCS pipelines in the CLAMS project, an open-source AI-assisted metadata extraction platform developed via collaboration between Brandeis University and AAPB (GBH MLA).

This presentation discusses the National Archives of Singapore’s experience using ICA’s new archival description standard, Records-in-Contexts (RiC) to integrate archival descriptions for audio-visual (AV) and paper-based archives. With a specific focus on broadcast and sound archives, the presentation will assess how RiC addresses perennial integration and data modelling challenges for AV resources, evaluate how other AV-centric ontologies may be used to complement and/or extend RiC, and propose design patterns that may be referenced by other institutions seeking to use RiC for archival description of AV materials.